Musings on another amazing book review…

Musings on another amazing book review…

…this time, because this reviewer, the author Georgia Rose, refers to my use of language, a true compliment for someone like me, someone who spends hours on every sentence, perfecting each passage in each chapter.  And then waking up to do it all again. Over and over and over.

Book reviews from the blogger world motivate, inspire and comfort in equal measure. They are given willingly, without prejudice or payment, like hand-wrapped parcels from perfect strangers, popping through the cyber letterbox.  This one tasted all the more sweet because it happened to arrive on my Birthday.

And what better compliment than to read, “I never wanted it to end…”?

http://www.georgiarosebooks.com/bookreview-for-the-disobedient-wife-by-annika-milisic-stanley-milisicstanley-rbrt-tajikistan/#comment-5407

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Literary Wives: The Disobedient Wife by Annika Milisic-Stanley

Literary Wives is an on-line book club that examines the meaning and role of wife in different books. Every other month, we post and discuss a book with this question in mind: What does this book s…

Source: Literary Wives: The Disobedient Wife by Annika Milisic-Stanley

Book signing in Trieste: Cafe San Marco

Book signing in Trieste: Cafe San Marco

This week I was lucky enough to be invitedIMG_1270 by the International Welcome Club of Trieste Region (IWCTR) to come and give a talk on my book, ‘The Disobedient Wife’.

The venue chosen, Cafe San Marco, is popular with Trieste readers and writers alike, with several literary events (as well as others, such as wine tasting), held every week. It is located in via Battisti 18. Founded in 1914, it became famous as a rendezvous for intellectuals and writers including Italo Svevo, James Joyce and Umberto Saba, a tradition that continues to date with Claudio Magris. A meeting point for Trieste’s irredentists, the café was destroyed by Austro-Hungarian troops during the first World War but was reopened when hostilities ended.  Brass-coloured leaf motifs cover the ceiling and circular pictures of thespians and jesters adorn the walls like portholes looking into a different era.

One side of the cafe is for coffee drinkers, the other for books.  Towards the back of the cafe there is a delightful space for presentations, and this is where our group met.IMG_1266

Around eighteen people came, some of whom struggled with the English, but who valiantly stayed to listen to the end. Others were British like myself, or long term expatriates from other countries living in Trieste, interested in hearing a talk about a little-known part of Central Asia.  As usual, I showed my film, and explained the socio-political and economic situation in Tajikistan in the present day.

‘The Disobedient Wife’ is literary fiction rather than biography or travelogue, but it inspires discussion about traditional culture, religion and the fall of the USSR wherever I take it.

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It was interesting to hear parallels drawn between the onset of fascism in Italy (and therefore, education for women frowned upon), and the situation in Tajikistan today with tradition overtaking the ‘Soviet’ ideal of egalitarianism between the sexes. As usual, I took away as many observations and knowledge for myself as I gave to others.

All in all, a great book talk. Thanks to IWCTR.

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Radio Free Europe/ Radio Liberty Interview

Radio Free Europe/ Radio Liberty Interview

Last week I was contacted by Tajik journalist Khiromon Bakoeva at Radio Free Europe/ Radio Liberty and participated in an interview with her about ‘The Disobedient Wife, my debut novel on Tajikistan.

RFE/RL’s mission is to promote democratic values and institutions by reporting the news in countries where a free press is banned by the government or not fully established. Their journalists provide what many people cannot get locally: uncensored news, responsible discussion, and open debate.  To visit their website, click here.

I am very happy that I am finally starting to find a platform through which to reach Tajiks, especially, I hope, women.  This is challenging as the country is far from open and without fluent spoken and written Tajik myself (I did speak it badly when I lived there but left 7 years ago) , it is not easy to reach people in the country.  During the interview I encouraged any Tajiks listening to write, and publish, especially women.  I wish my publisher would consider having the book translated into Russian and Tajik, but sadly I fear that financial constraints will not allow this to happen.

Khiromon asked me numerous questions:

Why I wanted to write about Tajik women… Because I think they are strong, brave and generally pretty awesome!

The disobedient wife is Nargis.  Why is she disobedient?…  Actually there are several in the book, but the Tajik woman named Nargis is disobedient because she has dared to leave her husband, thus becoming a figure of scandal and contempt in her community.  The other wife is a British Expat.

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Did I sense that radicalisation is a problem in Tajikistan and do I think women can help to solve this problem by talking to their sons?… certainly when I lived there no, Dushanbe was a secular, fairly safe place and people did not seem at all ‘radical'(willing to die for a cause), only traditional.  There were isolated incidents targeting the Prime Minister but nothing major.  This might have changed since… and yes, of course mother’s may be able to help persuading their sons not to go and fight in radical wars, but most importantly, something has to be done to help the youth to find jobs and build lives (Tajikistan is suffering now from the huge drop in the Russian ruble because so many families rely on remittances from Tajik workers in Russia).  When people lack hope they are vulnerable to the excitement and opportunities they think may open up by fighting in a religious war. (We are seeing the same thing in Bosnia, another country with a crippled economy and high youth unemployment).

The book referenced the main character Nargis accusing international aid workers of partying all the time… This was just on one page and referenced her feeling of invisibility as a waitress at receptions for international expats. An ex-aid worker myself, I do think some of the ‘academics’ prefer to sit behind a computer with data, rather than get out and talk to the actual people they are helping, especially in countries without an acute emergency crisis, such as Tajikistan…

Use of Tajik words and phrases in the book, why?… To add richness to the language used, and to let the reader have a sense of the language.  I love Tajik proverbs.

The full interview is here  in Tajik and HERE in Russian

 

 

Have a good week.

 

The Beauty of the Book Club (for this Author)

The Beauty of the Book Club (for this Author)

In November 2015, Cinnamon Press published my debut, The Disobedient Wife, winner of their First Book Award 2014.  I am a long-term expatriate, moving every 2-4 years.

My public outings at book shops and cultural venues to launch the novel are terrifying, thrilling joy rides.  I prepare myself for the public onslaught.  I thicken my skin to handle rejection or negative criticism, whether on the subject matter of the novel or on the quality of the writing.  I suffer sleeplessness, worrying about the typo that escaped the beady eye of my editor;  the story itself – is it strong enough to withstand the storm of a fussy readership?  I can only compare this anxiety to my feelings when I exhibited paintings for Dorset Arts Week in 2012.  Hauling my mother into the studio, as I could not bear watching art lovers examine the minutiae of each canvas in critical contemplation.

Luckily, my fears are unfounded. The book has been well received, with good reviews by bloggers and magazines.  I am, as it turns out, my own worst critic.

Another venue for discussion on my novel is the eponymous ‘Book Club‘.  Intimate gatherings of educated, intelligent (mostly) women with an interest in literature.  They come together to eat, drink and tear apart a novel.  Book clubs are diverse and complex in terms of age, cultural background and education/ professional sphere.  At the last one, I met a jolly nun, before that, an Icelandic artist.

I have been hosted at several here in Italy, as well as holding a few on Skype with overseas clubs, where fortuitously, most members are themselves long-term expatriates.  They relate to the confusion and loneliness of one of the main characters, Harriet, and tell me, ‘I know women just like her/ her friends’.  Some even go far as to say, ‘I recognize the conversations in the book, they are my own.’  Equally though, I meet British and Italians, non-expats, who relate to her loss of self, her former identity clashing with marital/ societal pressure to conform to the new environment.  I meet Western women who prefer to relate to the Tajik character Nargis, crossing the cultural divide to form a virtual relationship with her based on admiration and respect.

They know what it is to move with a husband, searching for meaning anew every few years.  The familiar sense of invisibility brought on by the question; ‘What does your guammaphusband do?’  I gain new insights at these meetings, as literature directs the conversation into deeper topics than at a typical social gathering.  For example, one reader compares the setting of Dushanbe to Guam, where she once lived.  Guam is an island housing thousands of women and children on an American airbase.  The locals live off base in comparative poverty, serving as maids and nannies to dissatisfied, lonely women left for long periods on a ‘small rock’ in the middle of the Northwestern Pacific Ocean.  Most book clubbers appreciate the main premise of the book, that Harriet will not find true happiness or satisfaction so long as she cuts herself off from the culture and the people she lives with.

In these book club meetings, Harriet is often used as a verb: ‘I have been ‘Harrietted’/ She gets ‘Harrietted’ quite often’ or as a noun: ‘There are plenty of Harriets in Singapore’.  This delights me.  Most wonderful of all, I sit through lively arguments between book club members as to what Harriet or Nargis should/ would do in a given situation, or how they felt at a certain moment.  I have the surreal, delicious sense that the characters live as real people in lively, intelligent minds, as though we are discussing long-lost relatives at a family reunion.  This is confirmation that I did my job; the figments of my imagination live on, past the confines of the page.  I answer questions about the characters beyond the finish line; what happens to Nargis and Harriet next.  Often, someone brings up the good looking driver, or debates who exactly is the real villain of the piece.

We usually discuss traditional culture as opposed to generalizing about religion.  I go to great pains to point out that the book is not about ALL women in Tajikistan, nor ALL expats.  It is fiction, after all, not a sociological report.  We see the point of view of Nargis and Harriet, but do not go beyond them into the political realm.  Of course educated, wealthy women in Tajikistan experience better lives than Nargis, with more opportunities and less barriers to progress.  Class and tradition hold back the poor and unfortunate, with socio-economic hardship and male migration compounding their impact on women.  Nargis has also to deal with a blighted reputation and an abusive, immoral ex-husband.  This leads to the juxtaposition created by the character Patty, a frustrated, hard-line Republican American who believes that ‘the poor deserve to be poor because they do nothing to better themselves’.  We discuss the belief that life for women like Nargis may have been better during the Soviet Union.  I especially enjoy talking about this with readers who remember the Cold War era.

In conclusion, I love being invited to book clubs, feeling in them a sense of my own responsibility as an author.  The positive energy generated in these book club meetings justify the years spent poring over a manuscript to check continuity in story-line, plot and character.  The re-writing and re-reading that became so tedious as to bring on physical nausea.

Literary fiction is a powerful tool, a subliminal way to raise awareness without lecturing.  I am glad to provide readers a new place for fiction, a young Republic with an ancient history and culture, a fascinating country, cut off from the outside world both during Soviet times and since independence.  A place where until recently, writers could not function freely, held under the lens of political dictatorship (from 2011-2013, social media took off in Tajikistan, but even those in the diaspora remain cautiously optimistic).  This, in large part, is why I wrote the book.  Mostly though, as an avid reader myself, I wrote the book to entertain people with a good story.  As an guest author, I enjoy book club meetings because they confirm that I managed to do both.

And let us not forget the crispy tacos served with spicy guacamole and a frozen margarita…

For more information on the book below, please visit: www.facebook.com/MilisicStanley.  It is available at Waterstones, Foyles, amazon (.com, .co.uk, .it, .ca, .ru) , bookdepository.com and wordery.com as well as at independent bookstores by order.

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Book Conscious Review: The Disobedient Wife by Annika Milisic-Stanley

Review by Bookconscious Deb Baker of The Disobedient Wife

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The digital world is smaller than the physical. Annika Milisic-Stanley contacted me via Twitter in December, to let me know about her new novel The Disobedient Wife. I don’t usually pursue unsolicited author enquiries, but it turned out we had Cinnamon Press in common. I’ve long admired the work of Jan Fortune and her family, who run this very fine small press in Wales and bring interesting books to the world, and my poetry has appeared in Envoi a few times. So when Jan got in touch with a review copy, I trusted this was going to be a good read.

And it was. I’ve never read a book set in Tajikistan and I’ll bet most of you haven’t either. Milisic-Stanley is a terrific writer, and she brings the beautiful and the bleak alive in equal measure, as in the opening line of the novel, “In the early hours…

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Writing Point of View – The Search for a Voice

Writing Point of View – The Search for a Voice

This week I spent hours rewriting sections of my draft novel – working title. This book is about a young, privileged teenager.  She is at Catholic boarding school, but lives with her Grandmother in the holidays.  The novel is set in a Central African country in the Great Lakes with a troubled inter-ethnic history.  It is on the verge of civil war, but the teenager tries to ignore this out of deep-seated fear, hiding in pop music and school work.  During her Easter holidays, the situation boils over and she finds herself the target of violence and persecution, fleeing to become a refugee in Kenya.

This week, I was worried that in the third person omniscient narration mode, readers will not feel they are sufficiprocessently inside the protagonists head to care enough about her to read on.  While writing ‘The Disobedient Wife‘, my debut novel, one of my editors told me to increase the voice of the British expatriate character as she was more ‘relatable’ to my ‘market’ than the Tajik. In this new book, my non-Western character will be going it alone… and will have to hold the reader until Chapter 8, when a French aid worker gets her voice.

She needs to be compelling and three dimensional, especially as she is a character from another cultural world than our own.  It is up to me to ensure that the readers will feel an emotional bond for this young woman that overrides any prejudices or assumptions about her based on nationality, race or age.

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With this in mind, I decided to embark on an experiment in Point of View (POV), transferring my novel, chapter by chapter into the 1st person immediate narrative.

There were results almost straight away. As I wrote in the ‘I’ format, I found myself relating to the character more as a teenager, a girl on the cusp of adulthood who is about to befall a huge, life changing calamity.  I answered my own questions (how could she have been kept in the dark so long, how did she handle the increasing danger in her situation) and I discovered new facets to her personality and upbringing, including a rather snobbish attitude towards her fellow villagers and her politically extreme Aunt, the ‘peasants’.

She emerged from each scene as a fully fledged human being, with defined flaws and faults, insight and emotions.  Those insights, moments of thought and reveals in dialogue have been reinserted in the third person omniscient narrative, with excellent results. In the end, I prefer the literary quality of this more traditional writing style, it suits me better as a story-teller. I find 1st person difficult to read and sometimes ‘slightly jarring’, as my Mother has put it.

Now, time to stop blogging and get nikewritingback to the task… 100 pages down, 200 more to go.

Have a great week, bloggers 🙂

Annika Milisic-Stanley